content_copy Taylor 712e Grand Concert Acoustic-Electric Guitar – Haggertys Music
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Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
Taylor 712e Grand Concert Acoustic-Electric Guitar
$2,999.00

Taylor 712e Grand Concert Acoustic-Electric Guitar

Authorized Dealer
Actual guitar Being Sold in Photos

712e 12-Fret

On Taylor’s 12-fret Grand Concert models, the shorter neck meets the body at the 12th fret rather than the 14th, and the bridge position is shifted closer to the center of the lower bout. The result is a boost in tonal warmth and power that blends seamlessly with the tonal benefits brought by V-Class bracing, a new addition for this year’s Grand Concert guitars in the 700 Series. That response is also bolstered by the Lutz spruce top used on the 700 Series. Together with rosewood back and sides, players can expect a broad and articulate tonal range with even greater volume and sustain thanks to the new bracing scheme. The compact Grand Concert body emphasizes clarity and balance, and helps keep the overtones in check, making this a great option for recording both solo and with other instruments. The 24-7/8-inch neck adds slinky comfort to the playing experience. Wood-rich aesthetic details include Hawaiian koa binding, a herringbone-style rosette featuring Douglas fir with maple/black accents, and bias-cut Douglas fir top trim, while a new “weathered brown” pickguard design complements the earthy color tones of the rosewood and wood trim. Taylor’s onboard ES2 electronics supply a top-notch pickup and preamp for impeccable amplified

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Body
  • Body type: Taylor Grand Concert
  • Cutaway: None
  • Top wood: Solid Lutz Spruce
  • Back & sides: Solid Indian Rosewood
  • Bracing pattern: Taylor V-Class Bracing with Relief Rout
  • Body finish: Gloss
  • Orientation: Right-Handed
Neck
  • Neck shape: Taylor Standard Profile
  • Nut width: 1-3/4" (44.5mm)
  • Fingerboard: Genuine West African Ebony
  • Neck wood: Solid Neo-Tropical Mahogany
  • Scale length: 24-7/8"
  • Number of frets: 18
  • Neck finish: Satin
Electronics
  • Pickup/preamp: Expression System 2 Professional Audio-Grade
  • Brand: Taylor
  • Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
  • Preamp EQ: Volume, Active Bass and Treble
  • Feedback filter: Onboard Phase Switch
  • Tuner: None
Other
  • Headstock overlay: Genuine West African Ebony
  • Tuning machines: Taylor Nickel Tuners with Nickel Buttons
  • Bridge: Genuine West African Ebony
  • Saddle & nut: Micarta "Wave" Saddle; Teflon-Infused Graphite Nut
  • Number of strings: 6
  • Special features: V-Class Bracing
  • Case: Taylor Deluxe Hard Shell Case
  • Accessories: None
  • Country of origin: USA
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Taylor Guitars