Presonus StudioLive Series III 64S Digital Console Mixer

These are brand new Presonus StudioLive Series III 64S Digital Console Mixers with full factory warranties can be seen in our Rapid City, SD showroom.

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PreSonus believes in innovation that removes barriers and creates solutions that inspire everyone to reach their creative goals. Their passion for audio and music is celebrated through their commitment to customers. From home to studio to stage, PreSonus is there.

The small format mixer with large format power.

The StudioLive® 64S is a 64-channel mixer that brings the power of a large-format console to small-format digital mixing. Powered by the quad-core PreSonus® FLEX DSP Engine, the StudioLive 64S digital mixer is equipped with 76 mixing channels, 43 mix buses, and 526 simultaneous processors, including 8 stereo reverberation systems, and with Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording, 128 channels of AVB I/O, flexible routing options, and the studio-grade audio quality that made StudioLive mixers famous, the StudioLive 64S delivers a truly exceptional mixing experience that's in a class of its own.

The scalable digital mixer.

The StudioLive 64S digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required and complete your 64-channel, 32-bus StudioLive 64S. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mix. Multiple StudioLive Series III digital mixers can be networked together, allowing you to route audio to and from any device on the audio network, thanks to the flexibility of Digital Patching available both onboard your StudioLive 64S digital mixer and inside UC Surface remote mixer software.

The best digital mixer for recording—with or without a computer.

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 64S digital mixer or on your Mac® or Windows® computer. Record any combination of channels, FlexMixes, and the main stereo mix to USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up Virtual Soundchecks. Best of all, Capture sessions open natively in Studio One® with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more to launch your live mix right where you left it. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.

Superior sound.

We built our reputation designing great-sounding analog circuits for critical studio-recording environments, and we put all of that experience into designing the StudioLive 64S digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 64S mic preamps to be remote-controlled with UC Surface software or Studio One, and when you load a StudioLive 64S mixer scene, the mic preamp trim values can be recalled along with the other settings.

Create the buses and groups you need.

PreSonus designed the StudioLive 64S digital mixer to adapt to your changing needs, whether you’re mixing in the studio or on a busy festival stage. Its 32 FlexMixes can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Eight designated effects buses, plus stereo and mono main buses, make a total of 43 mix buses, in addition to an independent solo bus. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. The independent Main mono bus can be configured with individual channel sends to feed a subwoofer or as the center channel in an LCR system, complete with a Center Divergence control on each channel to more precisely pl